
Twenty four hours later M and I were jammed down the front of a splendidly unlikely theatre at the end of Hastings Pier, screaming at Nick Cave and the Bad Seeds. I am not quite sure that's what she had in mind.
I am rubbish at reviewing gigs, so I won't -- the Observer's done it here and the Times here, and there's bound to be some even more elaborate hyperbole in the next Q. Suffice it to say that it was easily in my top 10 of all live music experiences. He is a man at the peak of his powers, and we were right down the front.
Afterwards, we caught last orders at the charming Gritti Palace, a bar at the land end of the pier with benches and fairy lights outside, and sat in the mild sparkly darkness as equipment was trundled out and people in long black coats disappeared into the night. We stayed overnight in an underheated room with a squidgy bed and a sea view.
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Took a detour via Battle and imagined lots of horses and chainmail and longbows, then drove home, feeling generally at peace with the world and listening to Abattoir Blues.
To paraphrase Stephen Fry talking about Noel Edmonds in quite the opposite sense:
A short word about Nick Cave: Yes.
A longer word about Nick Cave: Transcendent.
I'd be a microscopic cog in his catastrophic plan anytime. Hey, maybe I already am.
joella
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